Sunday, 29 September 2013

Boxes


Boxes are both things in themselves and repositories of an interior world of artefacts, materials, sounds, social processes and so on, but also of the possible and the unexpected (which may include emptiness of course).



A museum is similarly a container in which a nation, a people, a locality creates a kind of chimerical patchwork identity

entrance Swansea Museums Collection centre

inside Swansea Museums Collection centre

Much of my childhood was spent in the family antique shop with its strange gatherings and juxtapositions of objects. For me, this was a personal and domestic, not commercial environment.


Hemsworth Antique Shop, Ripon

So it is the relatively intimate collections of smaller museums, with their sometimes less ordered narratives, that interest me most. They can be more organic, with a quirkier, wilder and perhaps more complex story to tell of locality and the human psyche. 

For example, at Cyfarthfa Castle, Merthyr you move effortlessly from a mummified head

Cyfarthfa Castle Museum and Art gallery

 to an emperor penguin


Cyfarthfa Castle Museum and Art gallery

past a cabinet of ironwork sample pieces, to the very first automated ballot box.


Secret Ballot Box, Cyfarthfa Castle Museum & Art Gallery

The style and function of a box suggests an era and a locality as well as delimits aspects of a personal and social identity.

Freedom Box, Newport Museum & Art Gallery


Pay Box, Newport Museum & Art Gallery

I'm interested in the way this idea links with the image of the museum and gallery, each of which is also a kind of box, a repository of the artefacts through which a nation, a people, a locality tells its own stories. 


With warm thanks to staff at:

and to Arts Council Wales - see earliest post

Saturday, 17 August 2013

Systems





The world is made of systems and objects 
The systems keep snagging on the objects




and the objects keep dissolving into the systems




Each system has its hypothetical ideal state: smooth, noiseless, entropy-free self-sufficient
Each object has its hypothetical state of absolute fullness and presence




But all systems impinge on other systems and all objects impinge on other objects, just as all objects and systems impinge on one another






The result might be noise, dissolution, disorder, the painful or pleasurable chaos of existence, but the hypothetical states of equilibrium, fullness and presence are real also as a part of the mix, and systems and objects are continually trying to recover those ideal states



The 'ideal state' is a chimera, a mythical beast, but objects and systems too are continually creating new chimera in the process of their collisions and interactions, fabulous and unlikely forms which may only last a moment but which stir our consciousness into new life and excitement





Art is one of the processes by which we grasp these momentary extravagances, forming and boxing them for purpose of reflection, return and sharing





images Penny Hallas www.pennyhallas.co.uk
words from conversation with Lyndon Davies www.lyndondavies.co.uk
copyright Penny Hallas 2013




supported by a bursary from a-n The Artist Information Company





boxing the chimera is a research and development project supported by Arts Council Wales